Eddington Costume Designer Anna Terrazas on Working with Ari Aster

In the world of cinema, the marriage between visuals and storytelling is paramount. One of the most crucial components of this partnership is costume design—the silent yet potent language that characters converse in through their attire. Recently, Anna Terrazas has gained significant attention for her work as the costume designer for Ari Aster’s highly anticipated film, “Eddington.” Known for his distinct style and psychological depth, Aster’s collaboration with Terrazas showcases not just the aesthetics of the film but its multilayered narrative. In this post, we delve into the intricacies of Terrazas’ design process, her inspirations, and the collaborative dynamic between her and Aster.

The Role of Costume Design in Filmmaking

Costume design is often an underappreciated art in the film industry. Though it may seem like an ancillary aspect, it plays a pivotal role in character development, world-building, and emotional storytelling. A well-crafted costume can communicate a character’s social status, personality, and transformations throughout the narrative—all without a single word being spoken.

For Terrazas, every thread and fabric choice is an opportunity to add texture to the storytelling. In “Eddington,” the costume designer took great care to create outfits that not only reflect the characters’ inner worlds but also serve as visual motifs throughout the film.

Collaborating with Ari Aster: A Visionary Director

Ari Aster, known for his films "Hereditary" and "Midsommar," has an unmistakable visual and thematic style that often blends horror with deep psychological exploration. When Terrazas first joined the team for “Eddington,” she understood that her role would significantly shape the film’s atmosphere. Aster, who is known for his meticulous attention to detail, provided a fertile ground for collaboration.

"Working with Ari was an incredible experience," Terrazas recalls. "He has a clear vision, but he also invites contributions from everyone in the creative process, allowing for a rich exchange of ideas." This collaborative spirit made it easier for Terrazas to explore her own creative instincts while also respecting Aster’s thematic goals.

Research and Inspiration: The Seeds of Creation

Creating costumes for “Eddington” required a deep dive into research. For Terrazas, inspiration came from a variety of sources including historical references, art movements, and even psychological conditions. "I wanted to create a visual language that paralleled the storytelling," she explains. This entailed exploring color theory, texture, and style to align with Aster’s narrative intentions.

For example, certain characters are dressed in muted tones to represent their emotional states, while others are attired in vibrant colors to signify enthusiasm or instability. "I made a conscious effort to think about how each character’s clothing could support their emotional arc," she adds.

The Art of Fabric and Color

In “Eddington,” fabric choices play a critical role in defining the characters. Terrazas selected materials that not only looked visually striking but also reflected deeper themes. "Texture can evoke emotions," she explains. "A rough fabric may elicit discomfort or instability, while soft materials can signify vulnerability or warmth."

Colors, too, serve a strategic purpose in the film. For instance, Aster’s fascination with contrasting emotions is echoed in the color palette. "If a character is experiencing turmoil, their costume could be drenched in cooler hues. Conversely, when they feel empowered, there may be bright, warm colors. This was intentional, as visual signals can reinforce the audience’s emotional response."

Character Archetypes Through Costuming

Each character in “Eddington” serves a unique purpose in the narrative, and their costumes reflect this. Terrazas employs specific archetypes—such as the Sage, the Innocent, and the Rebel—to give life to these characters through their attire.

For the protagonist, Terrazas created a wardrobe that evolves throughout the film. "In the beginning, their clothes are simple, reflecting innocence and naiveté," she notes. "As the story unfolds and the character faces challenges, the wardrobe becomes more complex—layered and textured, representative of their growing depth and emotional struggle."

Ari Aster, with his penchant for psychological themes, encouraged this approach. “He always emphasized that the costumes should amplify the character’s journey,” Terrazas recalls.

Behind the Scenes: Challenges and Triumphs

No creative process is without its challenges. Terrazas faced various obstacles while working on “Eddington.” Time constraints, budget limitations, and the ever-present pressure to deliver were constant hurdles. Yet, she approached these challenges with a positive mindset. “Every setback was an opportunity to find more creative solutions. It pushed me to think outside the box.”

In response to limited resources, Terrazas often upcycled materials, allowing her to create unique costumes that still aligned with the film’s aesthetic. "Sustainability is essential, and I wanted to reflect that within the world of ‘Eddington,’” she points out.

The Impact of ‘Eddington’ on Costume Design

With “Eddington” set to captivate audiences, the impact of Terrazas’ work is poised to resonate well beyond its release. The film aims not only to entertain but also to spark conversations about mental health, identity, and emotional resilience—themes that are universal yet deeply personal.

“Costume design is about storytelling, and I hope audiences recognize the depth and layers we’ve embedded in each outfit,” Terrazas states. She believes that even after the film ends, the costumes will continue to evoke thought and interpretation.

Conclusion: The Fabric of Storytelling

Anna Terrazas’ journey as a costume designer for “Eddington” is a testament to the power of collaboration, creativity, and the emotional strength of storytelling through attire. Together with Ari Aster, she has woven a fabric of visual narratives that promises to engage and provoke thought among audiences. The costumes are more than mere clothing; they are a language of their own—rich with meaning, intention, and artistry. As “Eddington” prepares for its debut, one thing is clear: the world of cinematography is richer with Terrazas’ innovative contributions, reminding us of the profound impact that even the smallest details can have on a film’s overall narrative.